Performance, Dance, Theater
Posted 14.10.2024
In Latente, Martina De Dominicis explores the relationship between touch, presence, and sight, using these sensory elements to shape the choreography. Influenced by medieval history and personal memories, the piece reflects on the sacredness of touch in a visually driven world. We spoke to De Dominicis about her inspirations, the role of medieval thought, and how touch became a form of worship within the performance.
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