A Glossary Of Crip Pleasures
Time

16.1. - 22.2.2025

Place

Kunsthalle Exnergasse

© RA Walden, Structure of Care (Scaffold for Lauryn)
KunstAusstellungEröffnungInstallation
kex—kunsthalle exnergasse

Care Webs and Cuddles

Artists / collaborators: Artur Belja, Eva Egermann & Cordula Thym, Tanja Erhart, Crip Folx, Leno Gasser, Raisa Kabir, Iris Kopera, Nkeny Bakilam Nsangong, Paul Prothesis, Jasbir Puar, Lotti Seebeck, Marin Shamov, Julischka Stengele, Power Makes us Sick, Trans Mutual Care Network, Verein für Barrierefreiheit in der Kunst, im Alltag, im Denken, RA Walden

Curated by Ema Benčíková
kültüř gemma! Fellow

Care is what we all need. Care and rest. The past years have been disastrous for marginalised people. I feel the pain of my trans, disabled, BIPOC friends. Facing abandonment by the state institutions, it is crucial to question our current support structures. Care webs as a concept emerging from the disability justice movement and formulated by the crip artist and activist Leah Lakshmi Piepzna-Samarasinha returns to care with tenderness, accountability, and solidarity.

Queer people need cuddles. Crip people need cuddles. All othered people need cuddles. If they want them. I imagine a world where we can distribute cuddles and care more evenly, more fairly, more lovingly. I hope that the exhibition Care Webs and Cuddles can archive and generate structures of support for people that need them. So that we can heal and create, share knowledge and take shelter from the rapidly descending outside world.

How do we learn from the fragility of our experience?

Ema Benčíková explores the critical phenomenology of trans and crip embodiment, mutual aid initiatives, and performativity of disability, through the lens of gender studies and queer theory. Her theater work is focused on community building and empowering marginalized people. 
 

In cooperation with kültüř gemma!, supported by Bezirksvertretung Alsergrund

Filmstill: © RA Walden, Structure of Care (Scaffold for Lauryn)

Events as part of the exhibition "Care Webs and Cuddles":
A Glossary Of Crip Pleasures

16.1. - 22.2.2025

Kunsthalle Exnergasse

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Full outdoor shot of a grayscale image, likely a vintage photograph or film frame. The foreground shows a beach or sandy area. Several indistinct human figures are clustered together, lying or positioned in a way that suggests activity of some kind. The figures lack clear detail, appearing as light or dark shapes against the surrounding sand or water. The scene is somewhat blurred or grainy with a noticeable texture, typical of older photography or scans of film. The overall tonal range is muted, consisting primarily of grays, with subtle variations in shading. No distinct coloration is present. The background is a similar muted gray tone extending out of view, lacking any contrasting light or shadow that would make the figures especially noticeable.

care_monstersorgenmonster_care

Lotti Seebeck & Freizeitassistenz, Workshop

Su 9.2.2025
3.00 pm Hrs

Kunsthalle Exnergasse

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care_monstersorgenmonster_care

Lotti Seebeck & Freizeitassistenz, Relaxed Performance

Su 9.2.2025
3.00 pm - 5.00 pm Hrs

Kunsthalle Exnergasse

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23.1.,30.1,13.2.,20.2.2025,4 - 6 pm

Kunsthalle Exnergasse

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Außenaufnahme einer Gruppe von Menschen, die auf einem Gehweg vor einem großen, hellbeigen Steingebäude mit vielen Fenstern und komplizierten architektonischen Details stehen. Der Gehweg ist mit grauem und braunem Stein gepflastert. Ein kreisförmiger, rötlich-brauner Ziegelstein umrandet einen Fleck mit heruntergefallenen Blättern und Schutt. Auf dem Gehweg stehen oder gehen mehrere Menschen, die unterschiedlich gekleidet sind und verschiedene Tätigkeiten ausüben. Einige tragen Wintermützen und Jacken, andere tragen Mäntel und Jeans. Einige Personen scheinen sich Sehenswürdigkeiten anzusehen oder miteinander zu sprechen. Ein junger Erwachsener trägt eine hellbraune Jacke und Jeans und scheint ein Smartphone zu benutzen. Das Gebäude ist sehr hoch und breit, mit vielen Fenstern und mehreren Schichten von Mauerwerk. Das Gebäude weist eine Mischung aus hellbeigem und gräulichem Stein sowie regelmäßige, dekorative Muster auf. Der allgemeine Stil lässt auf ein formelles oder historisches Gebäude schließen. Die Beleuchtung erinnert an einen bedeckten Tag mit schwacher, aber klarer Sicht. Die Farben sind zurückhaltend, aber natürlich.

cancelled

Kunsthalle Exnergasse

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Th 20.2.2025
7.00 pm Hrs

Kunsthalle Exnergasse

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That's how you get here!

Public Transport
subway U6, bus 40A - station Währinger Straße/Volksoper
trams 5, 33, 40, 41, 42 - station Spitalgasse

Arrival by car
There are a number of public car parks around WUK. Parking tickets are required.

Disabled parking
A disabled parking space is located behind the WUK at Wilhelm-Exner-Gasse 5.

Barrier-free access to Kunsthalle Exnergasse via Währinger Straße 59 through the passageway into the courtyard, left to lift B, 1st floor, direct entrance via the automated glass door on the right into Kunsthalle Exnergasse.

Barrier-free WC available

Please note: The WUK courtyard is mostly paved with cobblestones

There is a tactile guidance system for blind and visually impaired people only from the courtyard gate at the Währinger Straße entrance to the WUK information office.

 

 

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queer and crip as an act of resistance

Interview with Ema Benčíková about the exhibition "Care Webs and Cuddles" at Kunsthalle Exnergasse

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kex—about

What is kunsthalle exnergasse? Information about the space and persons.

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kex—visit

Information about transport facilities, opening hours...

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kex—Open Call

Exhibition projects for 2025.

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kex—Residency

Kunsthalle Exnergasse's artist-in-residence and researcher-in-residence programme.

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Der KUNSTHALLE EXNERGASSE Newsletter informiert im Schnitt zweimal monatlich über das aktuelle Ausstellungs- und Veranstaltungsprogramm in Kunsthalle Exnergasse und KEX Studio.